When the BCCI launched the Women's Premier League in 2023, the auction generated international headlines. Smriti Mandhana became the most expensive female cricketer in history, sold for ₹3.4 crore (approximately $400,000). Nat Sciver-Brunt fetched ₹3.2 crore. The top prices were genuine landmarks — amounts that transformed what elite women's cricketers could earn.
But the broader auction told a more complicated story. The vast majority of players — particularly those from associate nations and developing cricket countries — received base prices that, while higher than typical women's cricket contracts globally, were still modest. A player at the base price of ₹10 lakh (approximately $12,000) for a two-month tournament was earning well by previous standards but not at a level that made franchise cricket a financially transformative career in the way male IPL contracts had been.
The structural question that critics raised was about the distribution of the league's earnings. The BCCI had sold WPL franchise rights for ₹4,669 crore — a sum that dwarfed the total player salary pool by a significant multiple. The ratio of franchise revenue to player salary in the WPL was far less favourable for players than even the existing male IPL ratio.
International players — particularly from England, Australia, and the West Indies — also raised questions about the impact on bilateral women's cricket. The WPL window required their availability away from domestic schedules, and the physical and scheduling demands of the tournament added to already heavy workloads.
Despite the criticisms, the WPL was widely acknowledged as a watershed moment for women's cricket commercially. The question was whether the watershed moment had been used to maximise the benefit to players or primarily to maximise BCCI commercial returns.