Inzamam-ul-Haq Chases Spectator with Bat
India vs Pakistan
1997-09-14
Inzamam-ul-Haq stormed into the crowd with his bat after being heckled by a spectator in Toronto.
Dwayne Bravo released a calypso song called 'Champion' and performed the dance after every wicket, making it one of cricket's most infectious and entertaining celebrations.
Dwayne Bravo was already a well-established T20 cricket all-rounder — a match-winner for West Indies and Chennai Super Kings in the IPL — when he released "Champion" in 2016. The song was a calypso celebration that namedroppied cricket heroes and positioned itself as an anthem for West Indian sporting achievement. It was catchy, joyful, and absolutely impossible to get out of your head once you'd heard it.
West Indian cricket has always had a relationship with music and performance that goes beyond what most cricket cultures permit. Caribbean players have traditionally expressed themselves with more flair, more personality, and more outright fun than the more reserved traditions of English or Australian cricket. Bravo was the natural heir to this tradition — an all-rounder who approached the game as entertainment as well as sport.
The timing of Champion's release was deliberate. Bravo had been one of T20 cricket's dominant forces for years, collecting wickets and runs in the most pressurised situations. He had a brand built on reliability under pressure and charisma in celebration. The song was the logical extension of an already irrepressible personality.
The Champion dance emerged as Bravo's wicket celebration, and once established, it became as automatic as the appeal. Take a wicket, do the dance. It didn't matter where — Lord's, the MCG, the Wankhede Stadium in Mumbai, some ground in the Caribbean at 2am with minimal crowds — Bravo would deliver the full routine with the enthusiasm of a headliner performing to a capacity crowd.
The dance itself was genuinely distinctive. A shuffling footwork pattern combined with arm movements that somehow conveyed both athletic pride and pure joy simultaneously. It wasn't the aggressive roar of a fast bowler taking a key wicket — it was the expression of a man who was having the time of his life and wanted everyone watching to share the experience. The effect was immediate and contagious.
Chennai Super Kings made Champion essentially their team anthem. At IPL matches, Bravo's wickets would trigger the song over the stadium PA system, the dance on the big screen, and spontaneous imitation in the stands. The CSK fan base adopted it as their own. It transcended a celebration and became a cultural fixture.
Dwayne Bravo didn't just play cricket — he performed it. The West Indian all-rounder released a calypso song called "Champion" that became an anthem in Caribbean cricket and the IPL, played at grounds worldwide with the persistence of a song you can't get out of your head no matter how hard you try. More importantly, the accompanying dance — a shuffling, arm-waving routine that combined Caribbean flair with the enthusiasm of a man who genuinely couldn't stop himself from dancing — became his trademark celebration after every wicket.
Every time Bravo took a wicket (and he took plenty, especially in T20 cricket), out came the Champion dance. It didn't matter if it was the first wicket of the match or the last, a pressure situation or a dead rubber — Bravo would break into his routine with the enthusiasm of a man performing at a sold-out concert rather than a cricket ground in Bangalore. His teammates would often join in, creating impromptu dance numbers on the cricket field that belonged more in a music video than in an international sporting event.
The song itself was genuinely catchy — a calypso earworm that burrowed into your brain and refused to leave, playing on repeat at 3 AM when you were trying to sleep. It became a stadium anthem played at grounds across the world, and opposition batsmen would sometimes be caught humming it, which was the ultimate psychological warfare — your enemy's theme tune stuck in your head.
Bravo's cricket career was excellent — he was one of T20 cricket's greatest all-rounders, with over 600 T20 wickets across all formats — but his cultural impact through the Champion dance and song arguably exceeded his sporting achievements. He made cricket fun, accessible, and joyful, and that's a champion quality that statistics can't capture.
Bravo releases 'Champion' in 2016 — a calypso anthem celebrating West Indian cricket greatness
The accompanying dance becomes his standard wicket celebration, performed with identical enthusiasm every single time
Chennai Super Kings adopt Champion as their unofficial team anthem during the IPL
Bravo's teammates begin joining the dance, creating impromptu cricket-field choreography
The song plays at grounds around the world, becomes a global T20 cricket sound
Opposition batsmen are reportedly caught humming it, which may be the ultimate psychological victory
Early T20 career
Bravo establishes himself as one of T20 cricket's most effective all-rounders with West Indies and CSK
2016
Champion is released — the song immediately finds audiences in cricket and beyond
First Champion dance on a cricket field
Bravo takes a wicket in an IPL match and performs the dance; CSK fans go wild
Champion as CSK anthem
The song becomes woven into the fabric of Chennai Super Kings' IPL identity
Teammates join in
Other CSK and West Indies players begin joining the dance after wickets; group celebrations become the norm
Bravo's retirement
Champion continues to be played at CSK matches as a tribute; the dance is performed by fans at stadiums worldwide
“The Champion dance? I don't plan it. The wicket goes, and my body just does it. I can't help myself.”
“I've played with a lot of cricketers. I've never seen anyone enjoy the game as much as Bravo. Every wicket is the best wicket he's ever taken.”
“You hear Champion and you smile. It doesn't matter what's happening in the match. The song just makes you happy.”
“Bravo proved you can be brilliant at cricket and also be a popstar. Most of us can only manage one of those things, and not always the cricket one.”
Champion's cultural reach extended well beyond cricket. It was played at parties, in clubs, at sporting events that had nothing to do with cricket. In Trinidad & Tobago it became a genuine hit — not a cricket song that crossed over but a proper popular music success that happened to have cricket in its DNA.
Bravo's teammates at both CSK and West Indies became reluctant participants in the Champion routine. Some embraced it enthusiastically; others appeared in the dance with expressions suggesting they were doing it under mild duress but couldn't resist. The result was some of cricket's best team celebration footage — the famous CSK wins accompanied by the sound of Champion and the sight of an entire team dancing together.
The song gave Bravo a second career identity. He wasn't just a cricketer who danced — he was a performer who also played cricket. This duality made him one of the most engaging cricket personalities of his era, and it reinforced the broader narrative that T20 cricket should be entertainment as well as sport.
Bravo proved that cricket and calypso are natural partners. His Champion dance was the most infectious celebration in cricket — and the most difficult to resist joining in.
Champion outlasted Bravo's active international cricket career. The song continues to be played at T20 grounds, particularly CSK matches at the IPL, where it remains part of the franchise's identity years after Bravo retired. Tributes to Bravo after his retirement invariably featured the dance — performed by fans, by commentators, occasionally by politicians who should have known better.
The Champion phenomenon represented something broader: the mainstreaming of cricket personality culture. In previous generations, a cricket player releasing a hit song and making it his on-field celebration would have been considered unseemly. By the T20 era, it was celebrated as exactly the kind of joyful expressiveness the format was designed to enable. Bravo made cricket more fun, and that's a legacy that statistics cannot capture.
India vs Pakistan
1997-09-14
Inzamam-ul-Haq stormed into the crowd with his bat after being heckled by a spectator in Toronto.
Various
2003-02-01
New Zealand umpire Billy Bowden became famous for his flamboyant, theatrical umpiring style including his signature 'crooked finger of doom' dismissal.
England vs West Indies
1986-07-03
After Greg Thomas told Viv Richards he'd missed the ball, Richards smashed the next delivery out of the ground and told Thomas to go find it.